![]() At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the mixtape received an average score of 82, based on 17 reviews. Critical reception Professional ratings Aggregate scoresĮchoes of Silence received widespread acclaim from critics. A music video for the title track directed by the aforementioned illustrator was released on December 21, 2021. On its tenth anniversary, the original mixes were released alongside a limited edition line of merchandise designed by illustrator Hajime Sorayama. Echoes of Silence was later commercially released as part of the compilation album Trilogy (2012) and included the bonus track "Till Dawn (Here Comes the Sun)". It was named as a longlisted nominee for the 2012 Polaris Music Prize, marking the Weeknd's second consecutive nomination for the award. Īn alternative R&B and ambient pop project with elements of post-punk and trip hop, Echoes of Silence received widespread critical acclaim. The project was preceded by the release of the promotional single "Initiation" on October 10, 2011. ![]() Lyrically, Echoes of Silence contains similar themes to the Weeknd's previous projects, exploring his drug use and experiences with love. The project also featured first-time collaborations with producers Clams Casino and DropXLife and a spoken-word interlude from rapper Juicy J. Like his debut mixtape House of Balloons and his second mixtape Thursday, the Weeknd collaborated with musician Illangelo who produced the majority of the project. “Echoes of Silence” – The Weeknd’s “Someone Like You”? Like “House of Balloons,” this tape ends with Tesfaye, lonely and gorgeously rendered.Echoes of Silence is the third mixtape by Canadian singer the Weeknd, released on December 21, 2011, by XO. “Next” – Stuttering percussion, piano flourishes and Tesfaye trying to make sense of a girl who wants him for his fame.ĩ. “The Fall” – A distant but startlingly personal confession of the Weeknd’s fear of returning to an ordinary life after a meteoric rise.Ĩ. “Same Old Song” – “You never thought that I would ever go this far,” Tesfaye sneers in the face of someone who doubted him. “Initiation” – The Weeknd dabbles with vocal distortion (think The Knife) while smooth-talking his latest female subject. “XO / The Host” – The centerpiece of “Echoes” goes on for a bit too long, but features an sinewy beat and some of Abel’s best “Woah Woahhhhh”‘s.ĥ. “Outside” – “Baby when I’m finished with you, you won’t want to go,” The Weeknd croons of a passionate sexin’ session.Ĥ. ![]() Shout out to the Carly Simon line from “You’re So Vain:” “You probably think this song is about you.”ģ. “Montreal” – The Weeknd teases the art of persuasion to a failed love, opening and closing in the language of his country. “D.D.” – The Weeknd opens strong with a cover of Michael Jackson‘s classic “Dirty Diana,” ultimately impressive and cryptic with the singers’ vocal similarities.Ģ. Which songs on The Weeknd’s “Echoes of Silence” are required listening? Here’s our Twitter-length track-by-track review.ġ. If nothing else, check out “Echoes” for “D.D.,” the Weeknd’s reinterpretation of Michael Jackson’s “Dirty Diana” that does the King of Pop justice. Where Abel Tesfaye goes from here is anyone’s guess, but for now, we have another nine songs of harrowing, engrossing R&B. “Echoes of Silence” immediately stands as another accomplishment for the Weeknd, a name that will likely be on everyone’s lips in 2012. As much as an artist who has put out three full albums in less than a year can possibly mature, Tesfaye’s growth as a lyricist has begun to match his production expertise and wildly talented vocal skills. “Initiation” describes a terrifying scene of drugs and sex but saves its most salacious parts for the listener’s imagination, and “The Fall” (“I ain’t scared of the fall/ I’ve felt the ground before,” Tesfaye sings on the hook) is desperate without being disgusting. However, the Weeknd has begun conveying his emotional devastation without resorting to direct, graphic declarations. Lyrically, Tesfaye remains destructive, angry and utterly fascinating, still waxing poetic about a lonely, intoxicated party life. Young Jeezy’s ‘TM103’: Track-By-Track Review ![]() Tesfaye is learning when to take risks and learning when to just let his breathtaking pipes shine, and that balance creates a cohesive 9-track product. “Echoes of Silence” essentially draws upon the strengths of both albums: tracks like “Next” and “Same Old Song” are straightforward and seductive, while “Initiation” and “Montreal” take detours with the use of vocal distortion and multi-lingual depression. While “Balloons” was built around dark, dangerous hooks and subtly crafted beats, “Thursday” was more experimental, pushing its production into more complex territories and tinkering with Abel Tesfaye’s song structures.
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